Acid
A psychedelic visual aesthetic rooted in 1960s LSD counterculture and its swirling, kaleidoscopic art style, where perception itself becomes distorted and vivid. Originating with San Francisco's Haight-Ashbury scene and artists like Wes Wilson and Victor Moscoso who made concert posters for the Grateful Dead and Jefferson Airplane, the style saturates everything with color and movement. Common pieces include tie-dye in every colorway, liquid-swirl or paisley prints, wide bell-bottoms, satin poet blouses, round tinted eyewear in yellow or orange, and layered bohemian accessories.
